GW Work

To move global Shakespeare studies beyond the more limiting scope of nation-state and cultural profiling, I would like to propose we consider a number of critical concepts as methodology. These concepts critique the limitations of cartographic imagination, and connect the performance site to spaces of knowledge production: (1) the site of performance and the myth of global Shakespeare; (2) diaspora and racial tensions; (3) art in post-national space; (4) the ethics of quoting Shakespeare and world cultures; and (5) the production and dissemination of knowledge through archives.

Author

• Joubin, Alexa Alice

Keyword

• Critical race studies
• Postcolonial criticism
• Cultural criticism
• Global Shakespeare
• Cultural studies
• Digital humanities

Date created

• November 2017

Type of Work

• Part of Book

Rights statement

• In Copyright

GW Unit

• English

Persistent URL

•  https://scholarspace.library.gwu.edu/work/zk51vh227

License

• All rights reserved

Relationships

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