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Shakespeare and East Asia Público Deposited
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Four themes distinguish post-1950s East Asian cinemas and theaters from works in other parts of the world: Japanese innovations in sound and spectacle; Sinophone uses of Shakespeare for social reparation; the reception of South Korean presentations of gender identities in film and touring productions; and multilingual, disability, and racial discourses in cinema and diasporic theatre in Asian America, Singapore, and the UK.
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Joubin_proofs_-_Alexa_Alice_Joubin.pdf | 2021-03-25 | Público |
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