Electronic Thesis/Dissertation
 

I'LL BELIEVE IN ANYTHING

Open Access

This thesis is an extended artist statement that focuses on a body of work created within the Master of Fine Arts program at The George Washington University. My recent photographs are appropriated from U.S. government documents regarding UFOs from the mid-twentieth century, the only time in American history that the government officially studied the phenomenon. I specifically use photographs that have been degraded by mechanical reproduction and are now no longer recognizable as documentary photographs. Because of their abstract quality, I discuss the photographs in terms of visual languages that were prevalent at the time of their creation, particularly Abstract Expressionism, as well as recent developments in the discourse surrounding non-representational contemporary photography. The archival images I have selected have been slightly manipulated, emphasizing and exaggerating the visual association I have created so as to suggest a history in which American abstract art and the UFO phenomenon are figuratively intertwined.

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