...Of what could be and never can
Open AccessAll cultural expression is determined to some extent by the institutional norms ruling the particular time and place in which such an expression occurs. This thesis, along with the exhibition that shares its name, aspires to reassess the academic motivations that dictate artists’ access to certain forms of labor. After a brief analysis of the recent history of the prohibition against training to paint, I argue, with the help of documentation of my thesis exhibition, that despite its posturing to the contrary, the most recent wave of incredulity toward the corporeality of a painting body is just as arbitrary and ideologically suspect as any other regime that has presumed to dictate the rules of art.
- All rights reserved
Notice to Authors
If you are the author of this work and you have any questions about the information on this page, please use the Contact form to get in touch with us.
| Thumbnail | Title | Date Uploaded | Visibility | Actions |
|---|---|---|---|---|
|
|
Nakazawa_gwu_0075M_13981.pdf | 2018-02-26 | Open Access |
|